Find album reviews, stream songs, credits and award information for Howard Skempton: Lento – BBC Symphony Orchestra, Mark Wigglesworth on AllMusic. Howard Skempton: Lento . Lento is music of extraordinary directness and simplicity. ‘First performed in , Lento is a timeless piece, both an intensely . Find a Howard Skempton – Lento first pressing or reissue. Complete your Howard Skempton collection. Shop Vinyl and CDs.

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The most useful technique is that which best enables you to drop your guard but skepton for a moment! The instrumentation is the same as that of Wagner’s Parsifal prelude, although Skempton’s use of instruments is very different.

Choose your country or region Close. One has a conversation with material whereas one wrestles with ideas.

Lento (Skempton)

From Wikipedia, the free s,empton. Lento owes much of its oento to its original context; to the elevating proximity of Wagners prelude to Parsifalwith which it was preceded at its first performance by the BBC Symphony Orchestra in the Barbican Hall in March One of the aims in composing music is to enhance the medium. Lento is a composition for orchestra written by Howard Skempton in Conductor’s score and parts on hire 16 November Most of Lento is scored for strings only.


Lento is monolithic; major and minor triads generate a sequence of processionals.

Lento (Skempton) – Wikipedia

Indeed, familiarisation, or feeling at home, with the material is part of the process of composing. Mention of material raises oento spectre of experimental music. Most findings involve a search, using some sort of idiosyncratic technique.

Lento is monolithic, major and minor triads generate a sequence of processionals. By using this site, you agree to the Terms of Use and Privacy Policy. I once wrote a piano piece Slow Waltz in four highly intensive sessions, each merely five minutes long.

Lento – Howard Skempton – Oxford University Press

A central episode turns the spotlight on the trombones and the bassoons. It uses the same orchestral forces as Wagner’s prelude to Parsifalthough deployment is radically different. Stravinsky was one of them. The second section, which the composer refers to as the “lyrical second subject”, is repeated only once as section 9. Compositions by Howard Skempton. Tonal music on a cathedral-like scale which relates specifically to Parsifal, but has other, wider resonances.


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There are four episodes or interludes. Pressure of time can work wonders but there is lehto guarantee of success. How do we find our material? M – Gramophone “Once heard, its music you’ve always known. The English composer Chris Newman is an interesting case: Morton Feldman was another, at least some of the time. Academic Skip to main content. We are back to the guiding principle of respect for the grain.

The first subject is repeated three times and the second subject once only. Madame White Snake Zhou Long.

These words suggest different degrees of aesthetic distance. Timpani are used only twice, both times to produce a G trill.

Retrieved from ” https: Respect for the grain is the guiding principle.