AKAI S3200XL MANUAL PDF

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The Akai SXL is a 16 bit professional stereo digital sampler. Accessories: AC power cable, operators manual, O/S disk, MESA disk, Demo Sequence disk. SXL Operator’s Manual – Version iii WARANTY WARRANTY AKAI Electric Co. Ltd. warrants its products, when purchased from an authorized “AKAI . Hi, I just bought an Akai S Sampler without manual. I didn’t find one with google (just the xl Version, which is diffrent). Akai Pro wrote me, that they bought .

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Modwheel Bend External Use this, perhaps, instead of pressure. You may CHOP it – that is, remove a section in the middle and splice the two remaining sections together or you may CUT it – that is, remove a section in the middle and keep the gap thus created.

OFF, you will mwnual able to monitor any other programs that share the same number. If the disk is un-formatted or has become manuaal damaged in some way the SXL will tell you Page The parameters across the top of the page follow the usual convention and allow you to select the keygroup for editing, select whether you wish to edit just one keygroup or all keygroups simultaneously and, of course, you can select another program for editing if you wish.

By applying a tiny amount of the RANDOM waveform to pitch try a depth setting mqnual 01each note may have a very tiny pitch discrepancy.

There are eight individual audio connectors provided.

Akai S3200XL Operator’s Manual

The range is semitones. Please note that when performing a restore, it is not possible to do a partial restore – i. Although it may seem a contradiction in terms to use the SINGLE mode for ‘multi’ applications, this is to maintain compatibility with data created on earlier Akai samplers. For editing programs, samples and effects. You may use this function to balance the program level across the keyboard.

Looking inside the SXL, you will see something like this The above diagram examples represent only part of the flexible program editing and multi- sampling potential of the SXL.

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When applied to the filter syou can create many interesting random tone change effects. Another use for this is to fatten up sounds. Adjusting this has no effect on the level of the signal appearing at the individual outputs or the real-time digital outputs. One covers the range C0- B2, the other C3-G8 – this would be a simple keyboard split.

It is probably not suitable to simulate tremolando strings, however, using LFO modulation. The XLR connector and phone jack on the analogue inputs are connected in parallel. The reason for this is that, if you have assigned a sound to a part and set that part’s parameters in a particular way, it is assumed that this is because you want it to sound that way. This shows the current take being backed up. Using the SXL live, you may have several multi-timbral setups in memory at any time memory allowing, of course!

This only became apparent when you tried to perform a snare roll or something similar. There may be occasions when you have more than this and so you may use the CURSOR keys to scroll through your program list. Hardly inspiring is it? Power requirements for electrical equipment vary from area to area.

When set to positive value, the sound will be louder in the upper reaches of the keyboard and by setting it to a negative value, the sound will be louder on lower notes.

There are th re e soft key actions that you can take, all concerned with deleting programs: The type of sounds created here can be long evolving sounds which may manuxl a place in soundtrack work as they can be very dramatic.

When cutting frequencies, you may like to use the control to boost overall level slightly although this may also be accomplished by re-normalising the sound. If you imagine a see-saw, the bench When actually entering names, pressing the NAME button will switch the function of the numeric keypad between letters and numbers. This sets the level of the signal appearing at the output selected above. Simply mnaual the NAME key and enter a name of up to 12 characters from the front panel keys.

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It is probably best to take your disks as mxnual luggage.

Akai Professional S Digital Sampler – Akai – Encyclotronic

Programs and multis can use multi-effects. Perhaps ENV2 or 3 is the most interesting s320xl its multiple rates and levels. One of the beauties of the Akai samplers is that there are no restrictions on what you do with samples – any sample maanual be placed into any keygroup in any program. The defaults for these three control inputs are: The following explanations, therefore, refer to this method of operation should you wish to work in this way or if you have existing sound library that uses this method.

Akai S3200XL Manuals

As soon as the smple has been recorded, the drive switches back on immediately. This shows how much space is left on the disk for recording. If one note in a chord is held when a new chord is played, it will not be affected.

This parameter works in conjunction with a field found in SMP2 see later where aai is possible to route single keygroups to the individual outputs ley: The primary function of this page is to create and copy keygroups although it is also possible to set key ranges although this is possibly best done in the SPAN page – see later.

Selecting Floppy Or Hard Disk As a result, it is vital that you save your work to disk before turning the s3200sl off otherwise you will lose your work and, unless previously saved, it will be gone akau ever.